Israel Antiquities Authority (IAA) Laboratory
These projects were completed as a laboratory technician for the Israel Antiquities Authority Fine Arts Conservation Department, housed in the historic Rockefeller Museum in Jerusalem, Israel.
The process of conserving mosaics that cannot remain in their original sites:
All things in conservation begin with documentation. The site will be measured, photographed, and sketched to provide references for archaeologists, conservationists, and historians. While the mosaic is still attached to the original site, it will have layers of adhesive and canvas applied to the top surface that will serve to secure the shape and form. Then it will be cut out of the mortar attaching it to the Earth and placed on an aluminum board with a honeycomb core. Temporary fills composed of sand and plaster will be placed on the larger lacunas and edges to protect it while it is in transit.
Once it arrives at the lab, the fills will be removed, along with the canvas and adhesives. The mosaic will be meticulously cleaned, and then begins the great puzzling feat of replacing missing tesserae. Sections with a small amount of tesserae missing (where the pattern is still obvious) will be replaced with loose tesserae found at the site. This is done both to conserve both the beauty and the foundation of the piece. The more compact the tesserae are, the less likely they are to become loose in the future and further erode the design. Lacunas that are missing too many tesserae to accurately understand the pattern will be replaced with mortar filling.
This entire process takes many months and teams of dedicated staff members with exacting eyes and endless patience.